What’s on

Here, cinema is not conceived in terms of its mythology — its narratives, its references, its history as a shared culture — but in terms of its technique: what a camera records in a single gesture, what a projector repeats, what film wears away through the act of rolling. A broader approach to cinema, in which the apparatus is conceived in sculptural terms and in which editing ceases to be an art of time to become an art of space.